By Beret Olsen
Michelle Ross’s latest collection of flash fiction, They Kept Running, is the 2022 winner of the Katherine Anne Porter Prize for short fiction. It’s also a bruise of a book, bleeding beneath its tender skin, painful and strangely beautiful.
By Celia Bland In The House of Grana Padano, the collaboration between Meg Pokrass and Jeff Friedman blends rhythms and styles seamlessly. These two masters of the microfiction form generate a dialectic that plays within the rigorous requirements of their chosen genre.
By Beret Olsen In Snowdog, Kim Chinquee’s latest collection of flash fiction, the writing is clean and concise, the language unornamented. “[T]he best time to make fake snow is when it’s actually snowing,” she writes in the opening story.
Writers aren’t always sure what is and isn’t necessary in their work, especially since they’ve lovingly crafted every word. Each story will ultimately tell you what it needs, but a great exercise to make that clearer is to cut your story in half.
By Beret Olsen
Chuck Augello's new book, The Inexplicable Grey Space Called Love, enthralled by the magic of words, potent even when I couldn’t fully understand them. Perhaps meaning cannot ever be seen in simple terms.
By Beret Olsen
Molly Fuller's new book, For Girls Forged by Lightning, is as ferocious as it is lyrical. This collection of 51 short pieces of "prose and other poems" is beautiful and brutal. Remember to breathe.
By Andrea Daniels
If this is a cultural study of a tribe, it’s a tribe with one cuckolded male and 101 beautiful women, virtually all of whom treat his heart with the sentimentality of an ashtray.
By Paul Strohm
For those who didn't know his primary work, this volume's accompanying illustrations reveal Lou Beach as a collage-maker and graphic surrealist, an accomplished maestro of dream-like juxtapositions and mixed surface-depth relations.